Social Media Revolution - Version 3

Erik Qualman - author Socialnomics recently produced and syndicated the third installment of the highly engaging, and jaw dropping Social Media Revolution video. Chuck full of statistics that are hard to believe, this video maps out the current state of this ever-expanding space. Well worth the 4:15 of your time, I highly suggest you check it out.

Best Practices for Twitter

I came across and article that was posted a few days ago on Mashable titled: 9 Lessons from Successful Brands on Twitter. Being a marketer who is constantly looking to maximize the reach and strength of my clients' owned social environments, these nine lessons resonate with me on a day-to-day level. Nearly all my brands are working to build, or have already built, ad solid presence on Facebook. Some do a better job within that environment than others in terms of how they communicate with their fans and consumers, but they are active, and responsible so the effort is tangible to their fans.

But bridging the gap between the brand and followers on Twitter seems to be more and more difficult. A direct message from a brands Twitter handle can be perceived as spam, which at best will be disregarded or at worst will creative a long-lasting negative brand experience. Having conducted campaigns to get followers, I have tasted this first hand. It's tough. It's not like buying "likes" on Facebook to be sure. Acquiring fans within the space seems best done outside it, through other owned environments or more direct marketing initiatives.

Below, I've extracted the 9 lessons and listed them out for quick access, but be sure to go through the article to extract deeper insights and tools for enhancing your ability to better represent your clients who need to become active within this space:

Lesson #1: Don't be afraid to say "I'm sorry." Showcase the people and personalities behind your brand

Lesson #2: Bring your brand's personality to life with multimedia. Have fun with your followers.

Lesson #3: Authentically engage with celebrities. With much larger followings than most brands, celebrities can easily influence your brand and your follower count on Twitter.

Lesson #4: Everyone loves a good deal. Use contest and offeres to drive excitement about your brand.

Lesson #5: Twitter's not about you, it's about your audience. Figure out what your audience wants to hear about and tweet it.

Lesson #6: Don't take yourself too seriously on Twitter. Accelerate the positive comments and embrace the negative ones.

Lesson #7: If your customers use your product and service outside of business hours, figure out a way to be responsive on twitter whenever they need help.

Lesson #8: Not every brand can be quite as much fun on Twitter as Dunkin' Donuts, but we can all learn to lighten up a little, ask questions and give away free stuff.

Lesson #9: Find Twitter chats to join by using hashtags. Consider starting and hosting Twitter chats on a regular basis.

Some great insights here worth digesting and applying to future and current initiatives.

Guerrilla Music

I live in NYC. By default that means a number of things, but one in particular inspired this post; street performers. Particularly those who spend their days passing in and out of subway cars performing diverse music and dance performances. Almost always, they are awful, making you wish you could turn your volume up even more to drown out the tone-deaf experience. Taking this idea, and flipping it on its head, isn't a marketing tactic I would have ever considered, but Max Burgundy did. Producing a guerrilla-driven, gritty, street performance, inspired by these selfless performers, ultimately created a look and feel to to this content that is truly raw.

As an artist, Max Burgundy is definitely creative. This song was obviously inspired by the performers he sees, and it resonates with me on a personal level. This is the core of any good marketing tactic; to strike a note that makes sense to the people most likely to consume or buy your content or product - whatever that might be. Forcing ourselves to be hyper-creative will in turn force you to align your media to those you want to interact with on a brand level. This is exactly what happened here, and as a result, I am sharing it.

Mobile Photos

Like the rest of you, I have my phone on me at all times. It's a part of my mental check-list every morning before I leave for work. Every night before I go out, every day when I leave my office for lunch. It's just there. My left leg pant pocket feels empty, naked and vulnerable when it's empty. My iPhone is a part of me; good or bad that's my reality.

Because it's my reality, I'm inclined to believe it is good. And not because I can check my email wherever I go or because I can check-in to Foursquare or read a review on Yelp - the value rests on the tiny, mobilized camera I have on-hand. With ever new iteration of the iPhone comes another enhanced version of the camera. A flash and better pixelation are just a couple things that make my trusty iPhone a useful item to have on-call.

Take the above photo for example, snapped using an iPhone and taken by a regular Joe who saw something pretty and wanted to keep a record of it. Having an high-res camera on you at all times gives you the ability to capture and share content in real-time with friends and family 0 and unlike the Gen 1 cameras of yesteryear (think the old side-roller Blackberry's), these cameras deliver quality images combined with social sharing options. Winning.

A couple days ago, I read an article by Shane Snow on Mashable that talked about the major factors driving this massive boom in mobile sharing of photos. The #1 Factor was "Phone Cameras No Longer Suck," aptly put and something I already touched on. I think what's even more important, however, is that there are simple apps that encourage uploads and sharing (Instagram is one I like) and obviously Flickr and FB, enables each of us to feel like an artist with fans who care about our content.

So what's the value to brands? To me that's simple; it's nearly free for brands to engage their fans, and offer incentives for them to share their experiences with others within the community, which in turn will be picked up by friends and spring-board social sharing. Putting a dollar value on social sharing and word-of-mouth is tough, but we know it's real; however difficult to articulate.

What is an Influencer?

What the hell is an influencer anyway? We all think we know what it is, but how are we defining it? What's the criteria being used to determine such a title? For over a year, I have been struggling with this. In my world, an influencer needs to have reach well outside of his or her blog, website or network of friends. They need to have multi-pronged social muscle as well - so when they flex that muscle, the ripple effect of their reach hits the right people at the right time with the right message.

With that in mind, my job is to find these people and clearly demonstrate their value to brand X. Klout is a great tool for this, and one that I have used a lot; but there were strong limits to what it could report, especially because it was pulling data from Twitter and Facebook exclusively. Just yesterday, however, they released a tool to measure social influence by topic - they call it +K.

According to the most recent articles I have read, topics are created by an algorithm, but the plan is for users to create topics on their own. Users get five +K's every day they can give to any user on any topic. As this data continues to grow, the ability to find the right "Influencer" on the right topic will become easier and easier. This was a fantastic move on Klout's part because it will put the controls in the hands of the users, and combine that data from what Klout is already pulling.

There is still the other major piece that isn't being combined with social media stats, and that's the stats of Influencer X's blog or site. Aside from Pageviews or Monthly Unique visitors, what else should be pulled to determine an influencer? Average number of comments per post? Average number of shares? Video views? Clicks from exposed links? This is obviously a serious work-in-progress. A concept that will need to be re-tooled many times over until it offers a seamless approach to this process. My goal is to find a way to combine all streams of data into one place, aggregate it, and end end up with the right result. Time will tell.

Tiffany's UGC App

My girlfriend loves Tiffany's. Cliche as it may be, she loves it. I could buy polished scrap metal and wrap it in one of their holiday gift boxes, and her eyes would light up when she opened it. As the pinnacle of class and timeless sophistication, Tiffany's has mindshare on both men and women alike. As a man, you look wealthy if you can buy it, and as a woman you look elegant if you wear it. It's a win win, which you cannot often say about gift-giving.

Recently, Tiffany's launched an application that allows customers to capture their Tiffany's moment, and upload it to a virtual map anywhere on the globe. Aptly titled: "Love is Everywhere" this app enables users to make their most memorable romantic moments live forever online. As a marketer within social media, I am constantly challenged with creating interactive brand experiences. Story telling and experiential sharing speaks to the core of the communication shift each of us interacts with every day - and the effort is a fantastic example of creative thinking and design, but they only got it half right.

One thing I avoid like the crazy drunk relative at a wedding is microsites. They are useless. Unfortunately, clients want them all the time, and creative shops big and small are banking on designing, building, hosting and managing them. Microsites die after you stop driving traffic to them, and they are not intrinsically social environments. For an execution like the above, the most logical environment for the app to live is on Facebook or Tumblr; not a remote microsite. Worse yet, there is no social sharing built in to this, which is really 101 in today's social media marketing universe.

In short, Tiffany's did a great job on the creative. It works well, it's sexy, it's fun, it's memorable and buzz worthly, but it's not in the right place, and as we all know, location is key. For more info on the details of this creative push, including the Ed Burns short film: "Will You Marry Me?" click here - http://press.tiffany.com/News/NewsItem.aspx?id=129